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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

May 21, 2012

Noise Charts as It Relates to Hearing Damage

Fun hearing facts collected from a variety of sources...

Environmental Noise
Weakest sound heard0dB
Whisper Quiet Library at 6'30dB
Normal conversation at 3'60-65dB
Telephone dial tone80dB
City Traffic (inside car)85dB
Train whistle at 500', Truck Traffic90dB
Jackhammer at 50'95dB
Subway train at 200'95dB
Level at which sustained exposure may result in hearing loss90 - 95dB
Hand Drill98dB
Power mower at 3'107dB
Snowmobile, Motorcycle100dB
Power saw at 3'110dB
Sandblasting, Loud Rock Concert115dB
Pain begins125dB
Pneumatic riveter at 4'125dB
Even short term exposure can cause permanent damage - Loudest recommended exposure WITH hearing protection140dB
Jet engine at 100'140dB
12 Gauge Shotgun Blast165dB
Death of hearing tissue180dB
Loudest sound possible194dB


OSHA Daily Permissible Noise Level Exposure
Hours per daySound level
890dB
692dB
495dB
397dB
2100dB
1.5102dB
1105dB
.5110dB
.25 or less115dB


Perceptions of Increases in Decibel Level
Imperceptible Change1dB
 Barely Perceptible Change3dB
Clearly Noticeable Change5dB
About Twice as Loud10dB
About Four Times as Loud20dB


Sound Levels Found in Music
Normal piano practice60 -70dB
Fortissimo Singer, 3'70dB
Chamber music, small auditorium75 - 85dB
Piano Fortissimo84 - 103dB
Violin82 - 92dB
Cello85 -111dB
Oboe95-112dB
Flute 92 -103dB
Piccolo90 -106dB
Clarinet85 - 114dB
French horn90 - 106dB
Trombone85 - 114dB
Tympani and bass drum106dB
Walkman on 5/1094dB
Symphonic music peak120 - 137dB
Amplifier, rock, 4-6'120dB
Rock music peak150dB


Sources:
The National Institute for Occupational Safety and Health (NIOSH)


Binge Listening: Is exposure to leisure noise causing hearing loss in young Australians? [pdf] – Australian Hearing, National Acoustic Laboratories

Occupational Noise Exposure. OSHA

People DO Suffer Hearing Loss After a Loud Concert

Almost everybody at some point in their lives have attended a loud concert or loud nightclub.

Almost everybody will also recall a temporary reduction in their hearing with or without ringing afterwards for a short period of time.

This phenomenon is called temporary threshold shift (TTS) whereby the affected person has a temporary hearing loss that may last hours to days due to temporary damage of the outer hair cells of the cochlea.

If loud nose exposure happens enough times, permanent hearing loss can occur.

For some, permanent hearing loss may occur after attending numerous loud concerts whereas in other more "susceptible" individuals, it can happen after a single loud concert.

It doesn't even have to be a loud music concert. ANY loud noise exposure can do including shooting guns, listening to a portable music player like the iPod, fireworks, playing in an orchestra/band, etc.

However, loud concerts are of particular interest given how many individuals are exposed all at once and provided a unique research opportunity which was presented on May 21, 2012 at the American Otologic Society Meeting in Los Angeles.

The researchers (led by Dr. Jennifer Derebery of the House Ear Institute) essentially took hearing test before and after the concert of 29 teenagers.

72% suffered objective hearing loss after the concert though only 53% reported subjective hearing loss. 25% reported new onset tinnitus after the concert.

Of note, hearing ear plugs were offered to the study subjects, but only 3 accepted them.

Adult researchers who sat with the teenagers under investigation measured sound levels throughout the concert. During the 26 songs played during the three hour concert, sound levels ranged from 82 to 110 decibels with an average of 98.5 decibels. The mean level was greater than 100 decibels for 10 of the 26 songs.

As a reference, ear pain occurs at 125dB. Jet engine noise is at 140dB. Sustained loud noise exposure of 90-95dB can result in permanent hearing loss.

OSHA (Office of Safety and Health Administration) mandates workers to never be exposed to sound levels of 100dB for more than 2 hours per day (no more than 4 hours per day at 95dB).

Clearly something more needs to be done to protect teenagers' hearing, especially given how few accepted hearing ear plugs. A fundamental cultural shift would most likely have to occur with encouragement from not only the musicians but also parents and teachers...

OR, the music volume at concerts should be turned down... No boos please.


Reference:
Teenagers Hear Worse After Attending Concert. LiveScience 5/21/12

September 3, 2010

Dr. Chris Chang... The Ex-Cellist...

I've had plenty of patients ask me about my musical background given my Eastman School of Music Diploma in Cello Performance hanging in my waiting room.

First off... I graduated from the Community Education Division of Eastman School of Music... Not the undergraduate or graduate program. However, it was a very fine education I received there which lasted from 1987-1992 (started playing the cello at age 5 until 24).

In order to receive this diploma (or perhaps a better term would be certificate), I had to complete a specified curriculum including music theory (levels 1-3), composition, music history, piano, chamber music, as well as the dreaded solo performances in Kilbourn Hall and Howard Hanson Hall... not just once, but several times a year.

While attending Eastman, I took private lessons from three awesome teachers including Polly Hunsberger, Ingrid Bock, and David Ying. I was pleased to see my first two teachers still playing with the Rochester Philharmonic Orchestra. Prior to Eastman, I took private lessons at a SUNY Geneseo college with Prof James Kirkwood.

Orchestra-wise, I participated with the Rochester Philharmonic Youth Orchestra, Greater Buffalo Youth Orchestra, and the New York All-State Orchestra. In college, I continued to play the cello with the Yale Symphony Orchestra as well as various chamber groups. I believe I played in my last concert in 1998 after which I pretty much stopped playing.

Some of my favorite cello pieces I played include Cello Concerto No. 1 by Saint-Saens and Cello Concerto in D minor by Lalo. The last cello piece I was working before "retiring" was Cello Concerto No. 1 by Haydn.

My most exciting moment playing the cello is perhaps Overture to Candide by Bernstein with the New York All-State Orchestra.

Another fine moment was Russian Easter Overture by Rimsky-Korsakov with the Greater Buffalo Youth Orchestra.

And yes... the picture posted here is my very own trusty cello... which usually hangs out in my closet, but opened up briefly for the purposes of this blog.

Here's my complete musical CV here.

Will I ever play again??? Well maybe... someday...


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